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雨果今年十九eee。像每个夏天一样,他都在大西洋的一个小岛上度过假期,住在他父母的小房子里。但今年不同;雨果身体发生了变化,他的女朋友奎因陪伴着他来到岛上,奎因是一位美容师,她的机智和长长的莱茵石指甲与这个年轻人的沉静和羞涩形成了鲜明对比。这对情侣很快就成了众人瞩目的焦点。
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BasedonanunknownSchönbergoperafrom1929,FromTodayUntilTomorrowexploresonenightinanot-quitelovelessmarriage.Ahusbandandwifereturnfromapartywhereshehasflirtedwithanotherman,whilehehascastanappraisingeyetowardanattractive,fashionablydressedacquaintanceofhiswife’s.Thougheachdreams,briefly,ofleavingthemarriagefortheexcitementandmysteryofanewlover,intheendtheydecidestabilityandcomfortaremoreimportantthanthefleetingthrillofnewromance.DirectorsJean-MarieStraubandDanièleHuillet,whopreviouslycollaboratedontwootherfilmsaboutmusic(TheChronicleofAnnaMagdalenaBach,1968,andMosesandAaron,1975),relyonlongfixedshotsinaustereblack-and-whitesothatthefocusremainsonthemusicalbrillianceofSchönberg’satonalscore,performedhereby70musicians.ThatSchönbergwouldchoosesucharelativelylightheartedmessageforhisnewlydiscoveredmusicallanguageremainsamystery,especiallysincetheconclusionreachedbythehusbandandwife—tostickwiththetriedandtrue—seemsdirectlyatoddswithSchönberg’sownphilosophyofcomposing.Itisjustthisjuxtaposition,however,coupledwithStraubandHuillet’sfaithfulpresentation,thatmakestheoperaacompellingadditiontotheSchönbergcanon—andthefilmsuchachallengingandintriguingexperienceccc